The renowned Japanese Cosmic freak-out heavyweights return with a brand new studio album and tour, marking ten years since their mothership first descended on the UK ....
Now a steady four piece led by Kawabata Makoto (guitar) and including Tsuyama Atsushi (bass/vocals), Higashi Hiroshi (synthesizer/guitar) and Shimura Koji (drums). The collective recorded the album in the aftermath of the Japan disaster at their mountaintop retreat where the collective still reside.
With the exception of the album's opener 'Chinese Flying Saucer' and it's unashamedly obvious musical references to Led Zeppelin II (hello 1969!) the rest of the album locks into a much more laid-back groove than on recent AMT releases. This dynamic shift is best displayed on the 22 minute jam, 'Shine On You Crazy Dynamite' and also the album's closer 'Electric Death Mantra'. The band opt for less frantic explosions of electric guitar overload and fuzz, replacing those elements with a more epic, blissed-out and at times brooding Japanese psychedelia, with more emphasis on acoustic guitars, sitar, organ, synthesiser and at times, really trippy vocals (most prevalent on 'Back Door Man Of Ghost Rails Inn'), recalling the twisted psychedelics of early Pink Floyd. Yet still, their sound remains so expansive that it is easy to become totally immersed in this album.
Epic in proportions, cloaked in a cosmic haze and shimmering in a synth utopia. 'The Ripper At Heaven's Gates Of Dark' maintains AMT's status as masters of out-of-this-world music and reveals their darker side of the moon.
released November 1, 2011
Acid Mothers Temple & The Melting Paraiso U.F.O. at the time of this recording were ...
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Psych Legends AMT camped their magical mystery tour in Lima, Peru in 2017 and released this mind-bending document of acid-drenched, lysergic Space-Rock while they were there. What you get is an hour's worth of Freakouts that only this Japanese collective can provide, brimming with Far Eastern instrumentation, kosmische grooves, exploratory guitar and synth oscillations. It remains super-charged and infectious throughout. The musical equivalent of a gateway to another dimension. Michael Henaghan